Rezensionen
International Record Review | 10/2002 | Christopher Breuning | 1. Oktober 2002 |
The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings ofMehr lesen
International Record Review | 10/2002 | Christopher Breuning | 1. Oktober 2002 |
The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings ofMehr lesen
International Record Review | 10/2002 | Christopher Breuning | 1. Oktober 2002 |
The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings ofMehr lesen
International Record Review | 10/2002 | Christopher Breuning | 1. Oktober 2002 |
The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings ofMehr lesen
Classic Record Collector | 10/2002 | Christopher Breunig | 1. Oktober 2002 |
The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings ofMehr lesen
International Record Review | 10/2002 | Christopher Breuning | 1. Oktober 2002 |
The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings ofMehr lesen
International Record Review | 10/2002 | Christopher Breunig | 1. Oktober 2002 |
The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings ofMehr lesen
Classic Record Collector | 10/2002 | Christopher Breuning | 1. Oktober 2002 |
The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings ofMehr lesen
Classic Record Collector | 10/2002 | Christopher Breuning | 1. Oktober 2002 |
The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings ofMehr lesen
Classic Record Collector | 10/2002 | Christopher Breunig | 1. Oktober 2002 |
The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings ofMehr lesen
Répertoire | No 161 | Gérard Belvire | 1. Oktober 2002 |
Avec Bernstein, Solti et Haitink, Kubelik fait partie des chefs « historiques » qui, durant les années 60, prirent le relais des pionniersMehr lesen
Classic Record Collector | 10/2002 | Christopher Breunig | 1. Oktober 2002 |
The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings ofMehr lesen
Classic Record Collector | 10/2002 | Christopher Breunig | 1. Oktober 2002 |
The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings ofMehr lesen
International Record Review | 10/2002 | Christopher Breunig | 1. Oktober 2002 |
The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings ofMehr lesen
Classic Record Collector | 10/2002 | Christopher Breunig | 1. Oktober 2002 |
The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings ofMehr lesen
Handelsblatt | Nr. 177 | Birgitta vom Lehn | 13. September 2002 |
Leise Liebeslieder
"Ist es Dir möglich, von nun an meine Musik als die Deine anzusehen?" Wie großzügig das klingt! Doch die Frage ist ein Fallstrick. Denn als GustavMehr lesen
www.classicalcdreview.com | September 2002 | R.E.B. | 1. September 2002 |
Albany Troy's CD is called "Paul Freeman Introduces Exotic Concertos." Actually none are really "exotic". Three are just very, very different, forMehr lesen
Répertoire | No. 160 | 1. September 2002 |
Un disque bien joué et bien enregistré d'oeuvres qui ne renouvellent pas le genre. L'absence de partitions qui accrochent l'oreille de l'amateurMehr lesen
Gramophone | 9/2002 | Richard Fairman | 1. September 2002 |
Das Lied live from two great Mahler conductors‚ more spontaneous sounding…
Audite is in the process of assembling a complete Mahler cycle with Kubelík and the Bavarian RSO from radio relays. So far the recordings date acrossMehr lesen
Diapason | Septembre 2002 | Jean-Charles Hoffele | 1. September 2002 |
Deutsche Gramophon ne permit pas à Kubelik d’enregistrer « Le Chant de la terre », qui aurait constitué le point d’orgue de son cycle Mahler ;Mehr lesen