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95650 - Géza Anda and Clara Haskil play Bach: Concerto for 2 Pianos, BWV 1061 and Bartók: Piano Concertos Nos. 2 & 3
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95650 - Géza Anda and Clara Haskil play Bach: Concerto for 2 Pianos, BWV 1061 and Bartók: Piano Concertos Nos. 2 & 3
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III. Allegro vivace (aus: Piano Concerto No. 3, Sz. 119 | Géza Anda and Clara Haskil play Bach: Concerto for 2 Pianos, BWV 1061 and Bartók: Piano Concertos Nos. 2 & 3)
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Celebrating the centenary of the birth of the Hungarian pianist Géza Anda (1921-1976), issued for the first time are his surviving Lucerne concert recordings featuring works by Bach and Bartók, with musical partners including Clara Haskil, Herbert von Karajan, Ferenc Fricsay and Ernest Ansermet.more
Géza Anda | Clara Haskil
Schweizerisches Festspielorchester
Herbert von Karajan | Ferenc Fricsay | Ernest Ansermet
Johann Sebastian Bach | Béla Bartók
Schweizerisches Festspielorchester
Herbert von Karajan | Ferenc Fricsay | Ernest Ansermet
"For collectors of historic recordings, a must." (Audiophile Audition)
Track List
Johann Sebastian Bach Concerto for 2 Pianos and Orchestra in C Major, BWV 1061 (17:58) Géza Anda | Clara Haskil | Schweizerisches Festspielorchester | Herbert von Karajan
Béla Bartók Piano Concerto No. 2, Sz. 95 (26:58) Géza Anda | Schweizerisches Festspielorchester | Ferenc Fricsay
Béla Bartók Piano Concerto No. 3, Sz. 119 (23:50) Géza Anda | Schweizerisches Festspielorchester | Ernest Ansermet
Details
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Géza Anda and Clara Haskil play Bach: Concerto for 2 Pianos, BWV 1061 and Bartók: Piano Concertos Nos. 2 & 3
LUCERNE FESTIVAL Historic Performances, Vol. XVII |
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| article number: | 95.650 |
|---|---|
| EAN barcode: | 4022143956507 |
| price group: | BCB |
| release date: | 4. February 2022 |
| total time: | 68 min. |
Bonus Material
Informationen
From 1955 until 1969, Géza Anda performed regularly at the Internationale Musikfestwochen Luzern. Only three recordings from this period have survived and are issued here in their entirety for the first time. These are the Concerto for Two Keyboard Instruments and Orchestra, BWV 1061, by Johann Sebastian Bach, recorded in 1955, and Béla Bartók's Third Piano Concerto, recorded in 1965. Anda was partnered by Clara Haskil and Herbert von Karajan for the Bach, and for the Bartók by Ernest Ansermet, who on this occasion was appearing for the final time in Lucerne. Also included here is Bartók's Second Piano Concerto, which Anda played with his favourite conductor, Ferenc Fricsay, before an enthusiastic audience.
audite presents this important new addition to the Anda discography in collaboration with the Géza Anda Foundation Zurich, Swiss Radio and Television (SRF), Salzburg's Eliette and Herbert von Karajan Institute and Lucerne Festival.
Reviews
Musik & Theater | Jg. 43 Juni/Juli 2022 | Werner Pfister | June 1, 2022 Géza Anda in Luzern
In den Ecksätzen ein bemerkenswert lebendiger Bach voller Drive und motorischer Energie, gleichzeitig aber stets offen für feine dynamische Abstufungen und, besonders im langsamen Satz, für atmosphärisch ausgestaltete Empfindungswelten.Mehr lesen
Aus urheberrechtlichen Gründen dürfen wir ihnen diese Rezension leider nicht zeigen!
In den Ecksätzen ein bemerkenswert lebendiger Bach voller Drive und motorischer Energie, gleichzeitig aber stets offen für feine dynamische Abstufungen und, besonders im langsamen Satz, für atmosphärisch ausgestaltete Empfindungswelten.
Audiophile Audition | Feb 22, 2022 | Gary Lemco | February 22, 2022 | source: https://www.auda...
For collectors of historic recordings, a must.Mehr lesen
Aus urheberrechtlichen Gründen dürfen wir ihnen diese Rezension leider nicht zeigen!
For collectors of historic recordings, a must.
www.pizzicato.lu | 03/02/2022 | Remy Franck | February 3, 2022 | source: https://www.pizz... Geza Anda in Luzern
Géza Anda war von 1955-1969 regelmäßig zu Gast bei den Musikfestwochen Luzern. Aus dieser Zeit stammen die drei Radiomitschnitte, die audite nunMehr lesen
Géza Anda war von 1955-1969 regelmäßig zu Gast bei den Musikfestwochen Luzern. Aus dieser Zeit stammen die drei Radiomitschnitte, die audite nun erstmals gemeinsam auf einer CD veröffentlicht.
Anfangs erklingt das Konzert für zwei Klaviere und Orchester BWV 1061 von Johann Sebastian Bach, aufgenommen unter der Leitung von Herbert von Karajan, zusammen mit Clara Haskil. Die Interpretation ist ein Kind ihrer Zeit und ein Zeugnis der engen Zusammenarbeit Karajans nicht so sehr mit Anda, aber vor allem mit Haskil, die der Dirigent verehrte und mit der er viele Konzerte gab und auch im Duo spielte.
Geza Anda war ein ausgewiesener Bartok-Spezialist und seine Berliner Studioaufnahmen der Konzerte mit Ferenc Fricsay sind legendär.
Hier sind die Konzerte Nr. 2 unter Fricsay und Nr. 3 unter Ernest Ansermet zu hören. Beide Interpretationen sind extrem spannungsvoll und fesselnd.
Géza Anda was a regular guest at the Lucerne Music Festival from 1955-1969. The three radio recordings, which audite is now releasing together on a CD for the first time, date from this period.
At the beginning, we hear the Concerto for Two Pianos and Orchestra BWV 1061 by Johann Sebastian Bach, recorded under the direction of Herbert von Karajan, together with Clara Haskil. The interpretation is a child of its time and a testimony to Karajan’s close collaboration not so much with Anda, but especially with Haskil, whom the conductor adored and with whom he gave many concerts and also played as a duo.
Geza Anda was a proven Bartok specialist and his Berlin studio recordings of the concertos with Ferenc Fricsay are legendary. Here we hear Concertos No. 2 under Fricsay and No. 3 under Ernest Ansermet. Both interpretations are riveting.
Anfangs erklingt das Konzert für zwei Klaviere und Orchester BWV 1061 von Johann Sebastian Bach, aufgenommen unter der Leitung von Herbert von Karajan, zusammen mit Clara Haskil. Die Interpretation ist ein Kind ihrer Zeit und ein Zeugnis der engen Zusammenarbeit Karajans nicht so sehr mit Anda, aber vor allem mit Haskil, die der Dirigent verehrte und mit der er viele Konzerte gab und auch im Duo spielte.
Geza Anda war ein ausgewiesener Bartok-Spezialist und seine Berliner Studioaufnahmen der Konzerte mit Ferenc Fricsay sind legendär.
Hier sind die Konzerte Nr. 2 unter Fricsay und Nr. 3 unter Ernest Ansermet zu hören. Beide Interpretationen sind extrem spannungsvoll und fesselnd.
Géza Anda was a regular guest at the Lucerne Music Festival from 1955-1969. The three radio recordings, which audite is now releasing together on a CD for the first time, date from this period.
At the beginning, we hear the Concerto for Two Pianos and Orchestra BWV 1061 by Johann Sebastian Bach, recorded under the direction of Herbert von Karajan, together with Clara Haskil. The interpretation is a child of its time and a testimony to Karajan’s close collaboration not so much with Anda, but especially with Haskil, whom the conductor adored and with whom he gave many concerts and also played as a duo.
Geza Anda was a proven Bartok specialist and his Berlin studio recordings of the concertos with Ferenc Fricsay are legendary. Here we hear Concertos No. 2 under Fricsay and No. 3 under Ernest Ansermet. Both interpretations are riveting.
Géza Anda war von 1955-1969 regelmäßig zu Gast bei den Musikfestwochen Luzern. Aus dieser Zeit stammen die drei Radiomitschnitte, die audite nun
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The Internationale Musikfestwochen Luzern, established in 1938, began with a...
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